‘Spider-Man: Brand New Day’ Expected to Top Box Office for Sixth Straight Weekend

What happened The post‑summer box office in the U.S. is described as quieter this weekend, with fewer major new releases, and Sony and Marvel’s Spider‑Man: Brand New Day is projected to finish atop the chart for a sixth consecutive weekend with about $22 million over the four‑day frame. The film is directed by Destin Daniel Cretton and features Tom Holland among its principal cast.

The movie recently crossed the $900 million mark in domestic grosses, making it only the second film ever to reach that threshold; 2015’s Star Wars: The Force Awakens remains the domestic record holder at $936 million. The reporting indicates that Brand New Day is expected to surpass that figure soon and become the all‑time domestic leader.

Globally, Brand New Day has exceeded $2.33 billion, moving into third place on the list of highest‑grossing films behind Avatar and Avengers: Endgame, after overtaking Avatar: The Way of Water. Meanwhile, Christopher Nolan’s The Odyssey — which also features Tom Holland — is forecast to place second this weekend with around $16.4 million, bringing its domestic total to $588.1 million in its eighth weekend.

Why it's happening The source frames the weekend as a calm period following a busy summer season and explicitly notes the limited slate of new entries, naming By Any Means and Onslaught as examples. That lower level of new competition is the context given for why established blockbusters can continue to lead the box office.

The financial figures for Brand New Day (domestic and global) show strong and sustained audience turnout, but the article does not provide granular causes — for example, the relative contributions of marketing, critical reception, franchise momentum or audience demographics are not detailed. Therefore, while the outcome is clear in the reported numbers, the specific drivers for that outcome are not established in the source material.

Initial performance indicators for the newcomers are also cited — Onslaught posted $782,000 on Friday — suggesting modest openings compared with the long‑running tentpoles. The article does not, however, include deeper data such as marketing spends or audience breakdowns that would allow more precise attribution of causes for these limited starts.

How this will affect If Brand New Day does overtake Star Wars: The Force Awakens domestically, the film would set a new benchmark for U.S. box office performance and reinforce the commercial standing of Sony and Marvel, based on the figures presented. That outcome would highlight the franchise’s continued box office strength according to the reported totals.

For Universal, the reported ongoing strength of The Odyssey — with a projected $16.4 million this weekend and $588.1 million total domestically — indicates that high‑profile releases can maintain robust grosses over multiple weeks. The piece does not, however, provide profit‑and‑loss detail or production and marketing cost context, so the full financial implications for studios cannot be determined solely from the article.

The expected modest returns for By Any Means (around $7 million) and Onslaught (about $2 million) suggest limited immediate commercial impact for those titles and a smaller role in reshaping the box office hierarchy. The source does not report on subsequent distribution strategies or potential adjustments to support those films, so downstream effects remain unspecified in the material.

What's next According to the article, Brand New Day is on track to surpass the $936 million domestic mark in the near term; updated daily and Monday grosses will confirm whether the film officially becomes the new domestic record holder. The next set of box office tallies will determine if the projections hold.

For the new releases, the forecasted openings — roughly $7 million for By Any Means and about $2 million for Onslaught over four days — will provide a short‑term picture of their commercial prospects. The article does not include follow‑up plans from the distributing studios (Paramount for By Any Means; A24 for Onslaught) regarding platform release or additional promotion, so their longer‑term trajectories are not described.

The piece also contrasts this weekend with last year’s Labor Day frame, when Weapons delivered $48.7 million and later yielded an Oscar for Amy Madigan; a prequel is reported to be in the works. The article offers those past outcomes as context but does not provide dates, budgets or schedules for any related future projects.